After debuting in the summer of 2013 with the single “Blessing of the Future” Jupiter’s lineup has been consistent, in the sense of it existing out of ZIN on vocals, HIZAKI and TERU on guitars, MASASHI on bass and YUKI on drums. In 2015 however, bassist MASASHI and drummer YUKI both announced that they
PLASTICZOOMS is a project that tries to capture music and fashion on the same level, while being centered on frontman SHO ASAKAWA.
With their roots being in genres like 70’s Punk, 80’s Post Punk, New Wave and Gothic PLASTICZOOMS creates a unique sound that doesn’t make you think
游彩 (Yusai) is a band created by guitarists Luy and 慶 (Yoshi), bassist 大蛇 (Orochi) and drummer 沙久 (Saku), who used to play together with vocalist 唄 (Riku) in ジン (ZIN).
Unfortunately 唄 (Riku) decided to step down from his position of vocalist last minute before a live performance, resulting in Luy taking
Galaxy7 is the solo project from Daisuke Tsutsui, who started the project in 2008 after his previous band disbanded. Because he is the one in charge of songwriting, composing, arrangement, production, programming, singing and playing all of the instruments by himself he has gained the attention
“JUBILEE” is Versailles’ first major album under Warner Music Japan. With this new release comes a variety of new features and sounds, as well as a truly though-provoking performance.
The tracks on this album deviate from the heavier, symphonic metal sound to a gentler, airy, neo-classical
Versailles’ latest release, “Holy Grail”, is their second major release with Warner Music Japan, one heavily anticipated by fans. The album takes a slightly different turn from past works though the tracks still strongly incorporate neoclassicism and complex melodies. It is heavily
“Lyrical Sympathy” gives off an aura of sentimental despair. While the feelings of being shrouded in despair are consistently evident throughout the album, Versailles does not limit themselves to one style of delivery. The natural flow of melody, from intensity to calm and back again,
